Co-Founder Kunstraum Retz
VVV - Verwoben Verbunden Vernetzt
Opening May 28th at Art Factory Groß Siegharts
The curatorial installation by Ida-Marie Corell "VVV Verwoben Verbunden Vernetzt” (Interwoven Connected Entengeld) is dedicated to the hidden, visible and invisible connections of interwoven dimensions through an interdisciplinary composition as part of the ‘Culturerrhiza’ series - a project and text series about the entanglement of the art and ‘culture’land' community in Lower Austria.
Not, as in the usual sense, only the exhibited positions are the focus of this exhibition, but the sensual experience, the aisthesis of the exhibited in the undefined-defined, in the in-between, between position and information.
With contributions from: Francesca Aldegani, Hanna Burkart, Ida-Marie Corell, Brigitte Corell, Daniel Egg, Waldviertler Pilzgarten, Günther Gross, Raphael Grotthuss, Taschenwerk Glockenbach, Benedikt von Loebell, Merlin Sheldrake, Rupert Sheldrake
See the opening documentation here
God.dess in Practice “social sculpture and online exhibtion october 3rd to 11th 2020 follow • here •
Second edition of God.dess in Practice moved to the virtual world - homepage and Instagram. The task of this years challange is to bring that - wich is carried by the distance into a scoial form.
Goddess in Practice exhibition at Kunstraum Retz as part of my TDGN research
Exhibtion about plastic bags based on my long term research and work as well as on my book “Alltagsobjekt Plastiktüte. See more at: I bäg you exhibitions
Anthrom Compositum installation by Heinrich Ledebur 2018
(Photo by Andreas Nader)
Opening Lecture by Heinrich Ledebur
(Photos by Christian Pischinger)
“Anthrom Compositum” an installation by Heinrich Ledebur curated by Ida-Marie Corell at Kunstraum Retz
Bringing biodiversity, the conciousness of farming and earth cycles into the art/culture space. Learning from natural deveoplements within one exhibition phase.
The term anthropogenic biome (anthorm) describes a large habitat whose essential natural properties are based on the influence of human land use. The consideration includes the plants, animals and people occurring in it as well as all inanimate factors. “Compositum” (compost) from Latin means “that which has been put together” and describes both the collecting point and the material stored there.
With the installation “Anthrom Compositum” the attempt is made to establish art and culture (again) as fertile soil for social structures (cultures) of different societies in diverse large habitats of culturally innovative land use concepts and to move the act of natural alchemy into an everyday focus. (How does garbage become fertile soil.)
The Kunstraum Retz (KRR) sees itself as a collection point in the large Retz habitat of cultural land use. With the installation “Anthrom Compositum” KRR would like to create a “social sculpture” that refers to Beuys' term “social sculpture” as a specific definition of his expanded concept of art. Beuys established this term to explain his idea of an art that would change society. In contrast to a formal aesthetic justified apprehension, Beuys included the structuring and shaping of a society in his art concept and was not limited to materially tangible and facade-like artifacts.
Heinrich Ledebur is a management consultant and business coach. In Germany and Austria he has a.o. managed renowned agricultural estates. The main focus of his work is the differentiated translation of ecological “natural laws” to the economic, cultural system. He lives and works in Lower Austria.
Compost installation / § stages of compost by H.L.